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Christopher Keil
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I always wonder how a brain works that can unfold a long-past game of soccer as if it were a christmas present from which layer after layer are torn off and then put back on, and if the question arises which color the right corner of the interior wrapping had been, the answer is without hesitation: red. This is how Christopher’s brain works. I might be good at reading books, he definitely knows how to read games, how to recount them and reconstruct them after thoroughly analyzing them. It is a historiographical wonder, the blur that a game of soccer becomes almost instantly, but certainly after it is over and months and years have passed, and the clarity that Christopher brings to it, the way each player moved, how he should have moved, could have moved. He remembers games not only how they were but also how they could have been. That is the poetic beauty of the speculative approach to watching soccer. There is an epic dimension to how he views the game, a knowledge of the minutiae and details, Philipp Lahm 2010 versus 2014 or the problems of Toni Kroos when he needs to be a leader – and from this he creates the scenario of an ideal game to which he compares what has really taken place. It is phantastic, we went to London, Madrid, Barcelona and Milan together, we talked about games we both had seen, and all I remembered was the red, white and blue of the emblem of Bayern Munich, not even the face of one of the players involved, and for Christopher it was like he had the whole game on his mind as if it were on youtube. With Christopher, soccer becomes something else, it can be an occasion for friendship, a reading of the world or a work-out for the mind. Unfortunately, he stopped writing about soccer a few years ago. For us, he is doing it again.

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Christopher Keil
by Georg Diez